Ever finished mixing a track only to find it sounds dull, unbalanced, or weak on different speakers? A poor mastering chain can flatten your sound, making it muddy, harsh, or lifeless. Without the right steps, even a great mix can fail to impress.
Many producers struggle with getting the right mastering order. Too much compression can kill punch, bad harmonic distortion can make a track harsh, and poor tonal balance can ruin clarity. Mastering is not just about making a song loud—it’s about enhancing its best qualities while keeping it clear and dynamic.

This guide will break down the best mastering chain step by step. You’ll learn how to get a clean, powerful, and balanced master that sounds great on any system. Whether you’re a producer, artist, or engineer, these steps will help you achieve a pro-quality sound—every time. Let’s dive in!
Table of Contents
- Understanding the Mastering Chain
- Step by Step Mastering Chain
- Common Mistakes to Avoid in Mastering Chains
- Mastering Effect Chain Secrets
- Final Thoughts
Understanding the Mastering Chain
What is a Mastering Chain?
A Mastering chain is a set of processing steps used to prepare a final mix for release. It makes a song clear, balanced, and loud, so it sounds great on any speaker—from studio monitors to phone speakers.
Each step has a purpose. EQ shapes the tone, compression controls dynamics, harmonic distortion adds warmth, and limiting boosts loudness. When used correctly, these tools enhance the mix without losing its natural feel. A good mastering chain makes a song ready for streaming, radio, and live playback, helping it stand out without distortion or imbalance.
Why Does the Order of a Mastering Chain Matter?
The order of processing is highly important. If the steps are in the wrong order, they can cause distortion, imbalance, or unwanted effects.
For example:
- EQ before compression removes unwanted frequencies so they don’t affect volume control.
- Saturation before limiting adds warmth without causing clipping.
- Stereo imaging after EQ ensures a wide sound without phase problems.
Each step builds on the last. If you compress before EQ, you may boost the wrong sounds later. If you limit too early, it reduces your ability to shape the track.
A right mastering effects helps make a mix clear, warm, and punchy. By following the right mastering order, you get consistent, professional results every time.
Step by Step Mastering Chain

A good chain is important for getting the best mastering chain and a professional sound. Each step, like EQ, compression, and limiting, helps shape the mix. Using mastering effects in the right order improves clarity, balance, and loudness. This makes sure your track sounds great on any speaker. Below are the key steps in a strong mastering chain.
Step 1: Corrective & Cleaning EQ
The first step in a mastering chain is corrective EQ. This removes unwanted frequencies, making the mix cleaner and more balanced before further processing.
Why It’s Important?
Every mix has problem frequencies—low-end rumble, harsh highs, or muddy mids. If left untreated, these can affect compression, saturation, and limiting later in the chain. A clean EQ pass prevents these issues.

How to Apply It
- High-Pass Filtering: Cut unnecessary low-end below 20-30 Hz to remove sub-bass rumble.
- Mid-Side EQ: Remove bass from the stereo field while keeping it strong in the center.
- Harshness Control: Use narrow cuts (not boosts) to tame sharp highs and boxy mids.
- Dynamic EQ for Problematic Resonances: Reduce frequencies only when they become too loud rather than applying constant cuts.
Best Practices
- Use gentle cuts (1-3 dB) to maintain a natural sound.
- Don’t overdo EQ—too many cuts can flatten the mix.
- Always listen in context—make small changes and A/B test.
Recommended Plugins:
- FabFilter Pro-Q 3
- iZotope Ozone EQ
- DMG Audio Equilibrium
By starting with corrective EQ, you ensure the mix is ready for compression, harmonic distortion, and loudness processing in the next steps.
Step 2: De-essing & High-Frequency Smoothing
After corrective EQ, the next step in an audio mastering chain is de-essing. This reduces harsh “S” and “T” sounds in vocals and smooths out sharp cymbals and hi-hats. If left untreated, these high frequencies can sound even harsher after compression and limiting.
Why It’s Important
Harsh high frequencies can make a song unpleasant to hear. Too much sharpness in vocals or cymbals can cause ear fatigue. De-essing softens these harsh tones while keeping the track clear and natural.
How to Apply It
- Use a De-Esser Plugin: Focus on frequencies between 3 kHz and 8 kHz where harshness often occurs.
- Adjust Carefully: Reduce sharp sounds without making vocals sound dull.
- Use Split-Band Mode: Only process harsh highs instead of the whole mix.
- Try Dynamic EQ: Target sharp tones only when they get too loud.
Best Practices
- Be subtle—too much de-essing can make a track sound flat.
- A/B test often to keep the sound natural.
Recommended Plugins:
- FabFilter Pro-DS
- Waves Sibilance
- iZotope RX De-ess
This step ensures harmonic distortion and limiting later in the chain work without making high frequencies too sharp.
Step 3: Harmonic Distortion & Sweetening EQ
After de-essing, the next step in the mastering chain is harmonic distortion and sweetening EQ. This step adds warmth, depth, and character to a track, making it sound fuller and more natural.
Why It’s Important
A mix without harmonic distortion can sound too clean or dull. Adding gentle saturation creates musical harmonics, making the track richer and more alive. Sweetening EQ helps by boosting key frequencies, improving clarity and balance.
How to Apply It
- Use Tape or Tube Saturation: Plugins like Softube Tape or Blackbox HG2 add warm harmonics without distorting.
- Apply to Low-Mids for Warmth: Light saturation between 100 Hz – 500 Hz makes the mix fuller.
- Boost Highs and Lows with EQ: A small high-shelf boost (10 kHz – 16 kHz) adds air, while a low-end boost (30 Hz – 100 Hz) enhances depth.
- Avoid Too Much Saturation: Too much harmonic distortion can make a track harsh or muddy.
Best Practices
- Use gentle saturation to keep the mix clear.
- Make small EQ boosts to avoid sharpness.
- A/B test to keep the natural tone intact.
Recommended Plugins:
- Softube Tape
- Black Box Analog Design HG-2
- FabFilter Saturn 2
This step enhances the mix’s sound, preparing it for compression and stereo imaging in the next stages.
Step 4: Glue Compression
After harmonic distortion and sweetening EQ, the next step in the mastering order is glue compression. This helps blend all elements together, making the track sound smooth and polished.
Why It’s Important
A mix without glue compression may sound disconnected, with instruments and vocals feeling separate instead of unified. Compression smooths out volume differences and adds punch without making the track lifeless.
How to Apply It
- Use a Bus Compressor: Plugins like SSL G-Master Bus Compressor or Townhouse Bus Compressor create a balanced, glued-together mix.
- Set a Slow Attack & Medium Release: This preserves transients while keeping the sound controlled.
- Use Light Compression (1-2 dB Gain Reduction): Too much compression can kill dynamics and make the track sound flat.
- Make Subtle Adjustments: Lower the threshold until the mix sounds tighter, but avoid over-compression.
Best Practices
- Keep compression light to maintain natural dynamics.
- Use parallel compression if you need more punch without squashing transients.
- Always A/B test to ensure the mix stays lively and open.
Recommended Plugins:
- SSL G-Master Bus Compressor
- Shadow Hills Mastering Compressor
- Townhouse Bus Compressor
Glue compression makes everything feel connected and balanced, preparing the track for stereo imaging and limiting in the next steps.
Step 5: Stereo Imaging & Width Expansion
After glue compression, the next step in the mastering chain is stereo imaging. This helps widen the mix while keeping the center strong. A well-balanced stereo image makes a track sound fuller and more immersive.
Why It’s Important
A mix that is too narrow can sound flat and lifeless. But if it is too wide, it may cause phase issues, making it weak in mono playback. Stereo imaging ensures clarity and depth without losing impact.

How to Apply It
- Use a Stereo Imager Plugin: Plugins like Ozone Imager help adjust width without causing phase problems.
- Widen Only High Frequencies: Expanding frequencies above 3 kHz keeps the bass tight in the center.
- Keep Low Frequencies in Mono: Make sure everything below 150 Hz stays in the middle for a solid mix.
- Use Mid-Side EQ: Add a slight boost to the sides in the highs for extra space.
Best Practices
- Avoid extreme widening—it can weaken the mix.
- Always check mono compatibility to prevent sound loss.
- Keep vocals and bass centered to maintain focus.
Recommended Plugins:
- iZotope Ozone Imager
- Waves S1 Stereo Imager
- Brainworx bx_stereomaker
A good stereo image makes the mix sound bigger and more exciting, preparing it for maximization and limiting in the final steps.
Step 6: Maximization and Transparent Loudness Enhancement
After stereo imaging, the next step in the mastering effects is maximization. This makes the track louder while keeping it clear and natural. A well-maximized track sounds powerful but not distorted.
Why It’s Important
Loudness helps a song stand out on streaming platforms, radio, and live shows. If a track is too quiet, it may sound weak. If it’s too loud, it can become harsh and messy. Maximization helps the track stay strong and balanced.
How to Apply It
- Use a Maximizer Plugin: Tools like Oxford Inflator or FabFilter Pro-L2 increase volume without losing quality.
- Control Peaks First: Use light compression before maximizing to avoid sudden jumps in volume.
- Boost Loudness Slowly: Increase gain step by step until the track is loud but still clean.
- Check LUFS Levels: Keep loudness between -8 and -14 LUFS, based on the platform.
Best Practices
- Don’t push too hard—too much maximization kills dynamics.
- Compare with reference tracks to match professional sound.
- Keep bass strong and highs clear while boosting loudness.
Recommended Plugins:
- FabFilter Pro-L 2
- Oxford Inflator
- Waves L2 Ultramaximizer
Maximization makes the track bold and competitive, preparing it for final limiting in the last step.
Step 7: Serial Limiting & Clipping
After maximization, the final step in the mastering chain is limiting and clipping. This controls peaks and ensures the track stays loud but clean. A good limiter prevents distortion while keeping the mix punchy and dynamic.
Why It’s Important
Without limiting, sudden volume spikes can cause distortion. If pushed too hard, the limiter can crush transients, making the track sound flat. The goal is to increase loudness while keeping clarity.
How to Apply It
- Use Two Limiters (Serial Limiting): First, apply a soft limiter to reduce peaks. Then, use a final limiter to reach the target loudness.
- Apply Clipping Before Limiting: Light clipping removes harsh peaks before limiting.
- Set Output Ceiling: Keep it at -1 dBTP to prevent clipping on streaming platforms.
- Check LUFS and True Peak: Aim for -8 to -12 LUFS, depending on the platform.
Best Practices
- Use gentle limiting to keep transients intact.
- A/B test to ensure clarity and punch remain.
- Avoid over-limiting, which can make the mix sound lifeless.
Recommended Plugins:
- Voxengo Elephant
- Kazrog KClip 3
- StandardCLIP
Proper limiting ensures that your track is loud, clear, and distortion-free, making it ready for release.
Step 8: Final Checks & Metering
After limiting, the last step in the mastering order is final checks and metering. This ensures the track meets industry standards and sounds great on all systems.
Why It’s Important
A mix may sound good in the studio but different on other speakers. Poor metering can lead to a master that is too quiet, too loud, or unbalanced. Checking metering and playback helps avoid these issues.
How to Apply It
- Use LUFS Metering: Keep loudness between -8 and -14 LUFS, depending on streaming platform limits.
- Check True Peak: Set the limiter’s ceiling to -1 dBTP to avoid clipping on digital platforms.
- Compare with Reference Tracks: Match the loudness and tonal balance of similar professional songs.
- Test on Different Speakers: Play the track on studio monitors, headphones, phone speakers, and car audio to ensure consistency.
- Check Mono Compatibility: Some stereo effects disappear in mono playback. Always test to prevent phase issues.
Best Practices
- Keep an eye on loudness meters to meet platform requirements.
- Avoid over-processing—if the mix sounds good, don’t over-fix it.
- Always A/B test before finalizing the master.
Recommended Plugins:
- Youlean Loudness Meter
- iZotope Insight 2
- Waves WLM Plus Loudness Meter
This final step ensures your track is polished, professional, and ready for release.
Common Mistakes to Avoid in Mastering Chains
Mastering Effects can make or break your track. A well-executed chain gives your mix clarity, warmth, and balance—but one wrong move can flatten, distort, or ruin the tonal balance of your track. Let’s go over some of the most common mistakes related to mastering effects and how to fix them without over-processing your mix.
1. Over-EQing the Mix
What goes wrong?
Ever felt like you need to keep tweaking the EQ because something still sounds off? Many engineers overdo EQ adjustments, cutting too much low-end or boosting the highs too aggressively. The result? A mix that sounds thin, brittle, or unnatural.
How to fix it?
- Make small EQ adjustments—cutting or boosting no more than 3 dB unless necessary.
- A/B test changes frequently to ensure a natural tone.
- Use EQ for corrective tweaks, not to reshape the entire mix.
2. Overusing Compression
What goes wrong?
Compression can glue a mix together, but too much can suck the life out of your track. If your drums feel weak, your vocals sound too flat, or your mix lacks energy, chances are you’ve over-compressed.
How to fix it?
- Apply light compression (1-2 dB gain reduction) to maintain dynamics.
- Use parallel compression for more control without over-squashing.
- Set a slow attack and medium release to keep the mix punchy yet controlled.
3. Too Much Harmonic Distortion
What goes wrong?
Harmonic distortion adds warmth and character. However, too much can make your mix sound muddy and unclear. If your track sounds harsh or overcooked, you might be pushing the saturation too hard.
How to fix it?
- Add subtle saturation to the low-mids (100 Hz – 500 Hz) to enhance warmth.
- Apply tape saturation or tube distortion only where needed (e.g., bass, vocals).
- Always A/B test to avoid excessive harshness.
4. Excessive Stereo Widening
What goes wrong?
A wide mix sounds huge and immersive, but overdo it, and you’ll introduce phase issues. Play your track in mono, and suddenly, parts of the mix disappear—yikes!
How to fix it?
- Widen only high frequencies (above 3 kHz) while keeping bass and vocals centered.
- Always check mono compatibility to prevent loss of sound.
- Use stereo widening tools sparingly—a little goes a long way.5. Pushing the Limiter Too Hard
5. Pushing the Limiter Too Hard
What goes wrong?
You want your track to be loud and punchy, but if you push the limiter too hard, you’ll crush all the dynamics and end up with a flat, lifeless master.
How to fix it?
- Use serial limiting (two limiters in small steps) instead of one aggressive limiter.
- Set true peak to -1 dBTP to prevent digital clipping on streaming platforms.
- Keep LUFS levels between -8 and -14, depending on the platform.
Mastering Effect Chain Secrets
A mastering chain does more than make a track louder. The right techniques add clarity, depth, and balance while keeping the sound natural. Here are key secrets to improve your masters.

1. Use Parallel EQ for a Natural Sound
Instead of applying EQ directly, blend an EQ’d version with the original. This keeps the mix clear and smooth.
- Preserves original details.
- Boosts key frequencies without harshness.
- Adds brightness without making the mix sharp.
This method shapes the tone without changing the natural sound.
2. Add Harmonic Distortion for Depth
Instead of applying harmonic distortion to the full mix, target weak areas for warmth and clarity.
- Use multiband saturation to enhance dull frequencies.
- Apply light tape saturation to glue the mix together.
- Odd-order harmonics add clarity, while even-order harmonics add warmth.
This balances the signal chain and makes the mix sound full.
3. Control Harshness with Sidechain Compression
High frequencies can sound sharp at loud volumes. Instead of cutting them with EQ, use sidechain compression to smooth peaks.
- Softens harsh tones without dulling the mix.
- Keeps vocals and snares bright but not piercing.
- Maintains tonal balance while keeping highs clean.
This keeps high-end details smooth and controlled.
4. Dynamic Mid-Side Processing for Stereo Balance
Instead of static EQ and compression, adjust the stereo image dynamically for better balance.
- Control side-channel frequencies when needed.
- Keep vocals centered while widening instruments.
- Prevent stereo imbalance without losing energy.
This creates a clear, wide, and natural-sounding master without over-processing. By using these mastering effect secrets, you can get a professional, balanced, and dynamic sound—without losing quality.
Final Thoughts
Mastering makes a track clear, balanced, and professional. A good audio mastering chain keeps the sound natural and powerful while making sure it works well on all platforms.
But mastering can be tricky. Many producers struggle with too much processing, weak volume, or phase issues. Even after following the right mastering order, a mix might still lack clarity or impact. Fixing this takes time and can feel frustrating.
This is where Remasterify helps. Instead of spending hours adjusting settings, it automates key mastering steps while keeping your track’s energy and character. It helps with mastering effects like EQ, compression, and loudness, making sure your music is ready for streaming—fast and easy.
Mastering should improve your music, not make things harder. Whether you do it yourself or use smart tools like Remasterify, the goal is the same—a strong, clear, and professional sound.