How to Master Drum and Bass for Streaming

How to Master Drum and Bass for Streaming

Drum and bass has a streaming problem.  The genre was  originally built loud. Club systems, festival rigs, late-night sets where the bass needed to physically move the room.   For thirty years, drum and bass producers mastered their tracks hot — often pushing well past -10 LUFS. That was the standard, and the genre’s identity was partly bound up in that loudness.  Later on, streaming changed the… Read More »How to Master Drum and Bass for Streaming 

Why Mastered Music Feels Different (Even at the Same Volume)

Why Mastered Music Feels Different (Even at the Same Volume)

Most artists think of mastering as the final checkbox, something technical that happens after the real work is done.  A 2009 study by researchers Bryan Paton and Phillip McIntyre proves it is far more than that. When listeners heard mastered and un-mastered versions of the same songs, they felt them differently, not just heard them differently.   The mastered… Read More »Why Mastered Music Feels Different (Even at the Same Volume) 

What Is a Scratch Track in Music?

What Is a Scratch Track in Music?

In 1984, Bruce Springsteen recorded a rough vocal for a song he wasn’t sure he’d finish. The take was loose, almost careless, a placeholder while he worked out the arrangement. When the band tried to re-record it later, nothing matched the original feeling. So they kept the scratch.  That song was “Born in the U.S.A.”  This happens more often than people… Read More »What Is a Scratch Track in Music?